Cnsure and Russian literature of the 19th century

1.

Dakhno Victoria Yurievna.
Student Phil/b-18.3-o

2.

The XIX century became a
qualitatively new stage in
the history of relations
between the authorities and
society, when censorship in
Russia has acquired legal
status and professional
character.
Censorship sought to
manipulate public opinion
by filtering out
information, creating the
right benchmark texts for
the authorities, and trying
to resist views alien to the
official ideology.

3.

Nicholas I did not want a new uprisings, and instructed to
develop a censorship charter, or as it is called “Cast iron
charter”.
The reform was approved by Nicholas I in 1826.

4.

It was the works in
which he praised
freedom, rebelled
against the tyranny of
kings and the slavery of
serfs that remained
under the ban of
censorship for many
years.

5.

Lermontov encountered
pressure when trying to
publish the play
"Masquerade" in 1835.
The problem was in the
end: Arbenin's killer
was not punished. This
in the eyes of
Benckendorff could
have had a negative
impact on morality
education in society.

6.

«The only thing he could count on was St. Petersburg
censorship.
The censor Nikitenko read "Dead Souls" in one sitting
and was delighted. Under his personal responsibility, he
allowed the first volume of the poem to print, with the
exception of "The Tale of Captain Kopeikin," which was
completely seized.

7.

Ryleev fought against
censorship in another
way. The essence was to
pass his work off as
translation of the work
of an ancient Greek
writer or poet.

8.

The comedy immediately had a problem with
publication. Censorship didn't want to miss out on a
scandalous piece. Hoping to publish his work,
Griboyedov encouraged the appearance of
handwritten versions.

9.

The correlation between censorship and
historical knowledge in Russia, as well as
toughening or softening of censorship
pressure on the printed word, has always
been in direct dependence on the state of
society, the civil consciousness of its
educated stratum. Censorship largely
determines the ways of literature
development, outlining a certain framework
beyond which the development of literature
is considered unacceptable.