Gardner chapter 15 JKC 2023

1. Trinity College Art History 102 Chapter 15 Northern Europe, 1400 to 1500

Trinity College
Art History 102
Chapter 15
ChapterNorthern
15
Europe,
Northern Europe,
1400 to 1500
1400 to 1500
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2. Europe in the 15th Century

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3. Figure 13-15 Interior of Chartres Cathedral (looking east), Chartres, France, begun 1194.

© 2005 Saskia Cultural Documentation, Ltd.
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4. Figure 13-16 Virgin and Child and angels (Notre Dame de la Belle Verrière), detail of a window in the choir of Chartres

Cathedral, Chartres, France, ca. 1170, with 13th
century side panels. Stained glass, full height 16’.
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5. Figure 15-16 LIMBOURG BROTHERS (POL, JEAN, HERMAN), October, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on

vellum, 8 7/8" X 5 3/8”. Musée Condé,
Chantilly.
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6.

Limbourg Brotheres, February

7. Figure 15-15 LIMBOURG BROTHERS (POL, JEAN, HERMAN), January, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on

vellum, approx. 8 7/8" X 5 3/8".
Musée Condé, Chantilly.
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Limbourg
Brothers, May

10. Figure 215-2 CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395–1406. Limestone with traces of paint,

Moses 6’ high.
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Nike Fastening her Sandal, Temple of
Athena Nike, c. 410 BC

16. Figure 15-5 JAN VAN EYCK, Ghent Altarpiece (closed), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11’ 6"

Figure 15-5 JAN VAN EYCK, Ghent Altarpiece
(closed), Saint Bavo Cathedral, Ghent, Belgium,
completed 1432. Oil on wood, 11’ 6" X 7’ 6".
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17. Figure 15-6 JAN VAN EYCK, Ghent Altarpiece (open), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11’ 5" X

Figure 15-6 JAN VAN EYCK, Ghent Altarpiece (open), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood,
11’ 5" X 15’ 1”.
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29. Figure 15-8 ROGIER VAN DER WEYDEN, Deposition, center panel of a triptych from Notre-Dame hors-les-murs, Louvain, Belgium, ca.

1435. Oil on wood, 7’ 2 5/8" X 8’ 7 1/8". Museo del Prado, Madrid.
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34. Figure 15-4 ROBERT CAMPIN (MASTER OF FLEMALLE), Merode Altarpiece (open), ca. 1425-1428. Oil on wood, center panel 2’ 1 3/8” X

2’ 7/8”, each wing 2’ 1 3/8” X 10 7/8”. Metropolitan Museum of Art,
New York (The Cloisters Collection, 1956).
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39. Figure 9-12 Saint Apollinaris amid sheep, apse mosaic, Sant’Apollinare in Classe, Ravenna, Italy, ca. 533-549.

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41. Figure 15-1 JAN VAN EYCK, Giovanni Arnolfini and His Bride, 1434. Oil on wood, approx. 2’ 9" X 1’ 10 1/2". National Gallery,

Figure 15-1 JAN VAN EYCK, Giovanni Arnolfini
and His Bride, 1434. Oil on wood, approx. 2’ 9" X
1’ 10 1/2". National Gallery, London.
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46. Figure 15-7 JAN VAN EYCK, Man in a Red Turban, 1433. Oil on wood, 1’ 1 1/8” X 10 1/4". National Gallery, London.

Figure 15-7 JAN VAN EYCK, Man in a Red
Turban, 1433. Oil on wood, 1’ 1 1/8” X 10
1/4". National Gallery, London.
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47. Figure 15-10 ROGIER VAN DER WEYDEN, Portrait of a Lady, ca. 1460. Oil on panel, 1’ 1 3/8" X 10 1/16". National Gallery,

Figure 15-10 ROGIER VAN DER WEYDEN,
Portrait of a Lady, ca. 1460. Oil on panel, 1’ 1 3/8" X
10 1/16". National Gallery, Washington, D.C.
(Andrew W. Mellon Collection).
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48. Figure 16-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza

Collection, Madrid.
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50. Figure 15-9 ROGIER VAN DER WEYDEN, Saint Luke Drawing the Virgin, ca. 1435-1440. Oil and tempera on wood, 4’ 6 1/8” X 3’ 7

Rogier van der
Weyden, Saint Luke
Drawing the Virgin, c
1435-1440, Museum of
Fine Arts, Boston
Figure 15-9 ROGIER VAN DER
WEYDEN, Saint Luke Drawing the Virgin,
ca. 1435-1440. Oil and tempera on
wood, 4’ 6 1/8” X 3’ 7 5/8”. Museum of
Fine Arts, Boston. (Gift of Mr. and Mrs.
Henry Lee Higginson)
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53.

Dirk Bouts, Last Supper, 1464-68, Saint Peter’s, Louvain, Belgium

54. Figure 15-12 DIRK BOUTS, Last Supper central panel of the Altarpiece of the Holy Sacrament, Saint Peter’s, Louvain, Belgium,

1464–1468. Oil on wood, 6’ X
5’.
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Giotto, Last Supper, 1305, Padua, Arena Chapel

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57. Figure 15-13 HUGO VAN DER GOES, Portinari Altarpiece (open), from Sant’Egidio, Florence, Italy, ca. 1476. Tempera and oil on

wood, Hugo
8’ 3 1/2"
10’ Goes,
center Portinari
panel, 8’ 3Altarpiece,
1/2" X 4’ 71476,
1/2" (each
wing).
Galleria degli Uffizi, Florence.
vanXder
Florence
Uffizi
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65. Figure 15-11 PETRUS CHRISTUS, A Goldsmith in His Shop, 1449. Oil on wood, approx. 3’ 3" X 2’ 10". Metropolitan Museum of Art,

Petrus Christus, A
Goldsmith in His Shop,
1449, Metropolitan
Museum of Art, New
York
Figure 15-11 PETRUS CHRISTUS,
A Goldsmith in His Shop, 1449. Oil on
wood, approx. 3’ 3" X 2’ 10".
Metropolitan Museum of Art, New
York (the Robert Lehman Collection,
1975).
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68. Figure 15-18 VEIT STOSS, The Death and Assumption of the Virgin (wings open), altar of the Virgin Mary, church of Saint Mary,

Viet Stoss, Death and
Assumption of the Virgin, 147789, Krakow, Poland, Church of
St. Mary
Figure 15-18 VEIT STOSS, The Death and
Assumption of the Virgin (wings open), altar of the
Virgin Mary, church of Saint Mary, Kraków, Poland,
1477–1489. Painted and gilded wood, central panel
23’ 9” high.
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69. Figure 15-19 TILMAN RIEMENSCHNEIDER, The Assumption of the Virgin, center panel of the Creglingen Altarpiece, Herrgottskirche,

Tilman Riemenschneider,
Assumption of the Virgin
(Creglingen Altarpiece),
Herrgottskirche, Creglingen,
Germany, ., 1495-1505.
Figure 15-19 TILMAN RIEMENSCHNEIDER, The
Assumption of the Virgin, center panel of the Creglingen Altarpiece,
Herrgottskirche, Creglingen, Germany, ca. 1495–1499.
Lindenwood, 6’ 1” wide.
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70. Figure 15-21 MICHEL WOLGEMUT and shop, Tarvisium, page from the so-called Nuremberg Chronicle, 1493. Woodcut,1’ 2” X 9”.

Michael Wolgemut and
workshop, Madeburga, from the
Nuremberg Chronicle, 1493,
Woodcut, printed by Anton
Koberger
Figure 15-21 MICHEL WOLGEMUT and shop,
Tarvisium, page from the so-called Nuremberg Chronicle,
1493. Woodcut,1’ 2” X 9”. Printed by ANTON
KOBERGER.
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71. Figure 15-22 MARTIN SCHONGAUER, Saint Anthony Tormented by Demons, ca. 1480–1490. Engraving, 1’ 1/4" X 9". Fondazione Magnani

Martin Schongauer, Saint
Anthony Tormented by
Demons, c. 1480, engraving
Figure 15-22 MARTIN SCHONGAUER, Saint
Anthony Tormented by Demons, ca. 1480–1490.
Engraving, 1’ 1/4" X 9". Fondazione Magnani
Rocca, Corte di Mamiano.
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74. Figure 15-17 JEAN FOUQUET, Melun Diptych. Étienne Chevalier and Saint Stephen, (left wing), ca. 1450. Oil on wood, 3’ 1/2” X 2’

9 1/2”. Gemäldegalerie, Staatliche Museen, Berlin. Virgin and Child, (right wing) ca. 1451. Oil on wood, 3’ 1 1/4” X 2’ 9
1/2”. Koninklijk Museum voor Schone Kunsten, Antwerp.
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75. Figure 15-20 KONRAD WITZ, Miraculous Draught of Fish, from the Altarpiece of Saint Peter, from Chapel of Notre-Dame des

Maccabées in the Cathedral of Saint Peter, Geneva, Switzerland, 1444. Oil on wood, approx. 4’ 3” X 5’ 1”. Musée d’art
et d’Histoire, Geneva.
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76. Figure 15-3 MELCHIOR BROEDERLAM, Retable de Champmol. from the chapel oft he Chartreuse de Champmol, Dijon, France, installed

1399. Oil on wood, each wing 5’ 5 3/4”
X 4’ 1 1/4”. Musée des Beaux-Arts, Dijon.
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77. Figure 15-14 HANS MEMLING, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan,

Bruges,
Belgium, 1479. Oil on wood, 5’ 7 3/4" X 5’ 7 3/4" (center panel), 5’ 7 3/4" X 2’ 7 1/8" (each wing).
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