Trinity College Art History 102
Renaissance Florence
Figure 16-2 FILIPPO BRUNELLESCHI, Sacrifice of Isaac, competition panel for east doors, baptistery, Florence, Italy, 1401–1402.
Figure 16-3 LORENZO GHIBERTI, Sacrifice of Isaac, competition panel for east doors, baptistery, Florence, Italy, 1401–1402.
Figure 16-5 DONATELLO, Saint Mark, Or San Michele, Florence, Italy, 1411–1413. Marble, 7’ 9” high. Modern copy in exterior
Polykleitos, Doryphoros (Spear-bearer), c. 450-440 BC
Figure 16-10 LORENZO GHIBERTI, east doors (Gates of Paradise), baptistery, Florence, Italy, 1425–1452. Gilded bronze, 17’ high.
Figure 16-8 DONATELLO, Feast of Herod, panel on the baptismal font of Siena Cathedral, Siena, Italy, 1423–1427. Gilded bronze ,
Figure 16-19 MASACCIO, Expulsion of Adam and Eve from Eden, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca.
Figure 16-18 MASACCIO, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427. Fresco, 8’ 4 1/8” x
Figure 16-18 MASACCIO, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427. Fresco, 8’ 4 1/8” x
Figure 16-20 MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8” x 10’ 4 3/4”.
Figure 16-30 FILIPPO BRUNELLLESCHI, cutaway view of the dome of Florence Cathedral, Florence, Italy, 1420-1436 ( after Piero
Figure 16-32 FILIPPO BRUNELLESCHI, early plan (left) and plan as constructed (right) of Santo Spirito, Florence, Italy,
Figure 16-31 FILIPPO BRUNELLESCHI, interior of Santo Spirito (looking northeast), Florence, Italy, designed 1434–1436; begun
Figure 16-33 FILIPPO BRUNELLESCHI, facade of the Pazzi Chapel, Santa Croce, Florence, Italy, begun ca. 1440.
Figure 16-34 FILIPPO BRUNELLESCHI, plan of the Pazzi Chapel, Santa Croce, Florence, Italy designed ca. 1423, begun 1442.
Figure 16-35 FILIPPO BRUNELLESCHI, interior of the Pazzi Chapel (looking northeast), Santa Croce, Florence, Italy, designed
Figure 16-39 LEON BATTISTA ALBERTI, west facade of Santa Maria Novella, Florence, Italy, ca. 1456–1470.
Figure 16-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.
Figure 5-14 Elevations of the Doric and Ionic orders.
Figure 7-6 Roman concrete construction. (a) barrel vault, (b) groin vault, (c) fenestrated sequence of groin vaults, (d)
Colosseum, Rome, c. 70-80
Figure 16-45 LEON BATTISTA ALBERTI, plan of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.
Figure 16-46 LEON BATTISTA ALBERTI, interior of Sant’Andrea (looking northeast), Mantua, Italy, designed 1470, begun 1472.
Figure 16-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.
Figure 16-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.
Figure 16-38 LEON BATTISTA ALBERTI BERNARDO ROSSELLINO, Palazzo Rucellai, Florence, Italy, ca. 1452–1470.
Colosseum, Rome, c. 70-80
Figure 16-17 GENTILE DA FABRIANO, Adoration of the Magi, altarpiece from Strozzi Chapel, Santa Trinità, Florence, Italy, 1423.
Figure 16-21 FRA ANGELICO, Annunciation, San Marco, Florence, Italy, ca. 1438–1447. Fresco, 7’ 1” x 10’ 6”.
Figure 16-28 SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli Uffizi,
Figure 16-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza
Figure 16-24 DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485–1490.
Figure 16-14 ANTONIO DEL POLLAIUOLO, Hercules and Antaeus, ca. 1470–1475. Bronze, 1' 6” high with base. Museo Nazionale del
Figure 16-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. Museo Nazionale del Bargello, Florence.
Figure 16-13 ANDREA DEL VERROCCHIO, David, ca. 1465–1470. Bronze, 4’ 1 1/2” high. Museo Nazionale del Bargello, Florence.
Pollaiullo – Interest in Human Anatomy
Figure 16-29 ANTONIO DEL POLLAIUOLO, Battle of the Ten Nudes, ca. 1465. Engraving. 1 3 1/8” x 1’ 11 1/4”. Metropolitan Museum
Rise of Portraiture
Figure 16-15 DONATELLO, Gattamelata (equestrian statue of Erasmo da Narni), Piazza del Santo, Padua, Italy, ca. 1445–1450.
Figure 16-16 ANDREA DEL VERROCCHIO, Bartolommeo Colleoni (equestrian statue), Campo dei Santi Giovanni e Paolo, Venice, Italy,
Figure 16-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza
Figure 16-24 DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485–1490.
Figure 16-38 LEON BATTISTA ALBERTI BERNARDO ROSSELLINO, Palazzo Rucellai, Florence, Italy, ca. 1452–1470.
Figure 16-39 LEON BATTISTA ALBERTI, west facade of Santa Maria Novella, Florence, Italy, ca. 1456–1470.
Figure 16-21 FRA ANGELICO, Annunciation, San Marco, Florence, Italy, ca. 1438–1447. Fresco, 7’ 1” x 10’ 6”.
Figure 16-22 ANDREA DEL CASTAGNO, Last Supper, the refectory, convent of Sant’Apollonia, Florence, Italy, 1447. Fresco, 15’ 5”
Figure 16-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Galleria degli
Figure 16-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy,
Figure 16-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.
Figure 16-45 LEON BATTISTA ALBERTI, plan of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.
Figure 16-47 ANDREA MANTEGNA, interior of the Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco.
Figure 16-48 ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco, 8’ 9” in
Figure 16-49 ANDREA MANTEGNA, Foreshortened Christ, ca. 1500. Tempera on canvas, 2’ 2 3/4” x 2’ 7 7/8”. Pinacoteca di Brera,
Figure 16-42 PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico da Montefeltro (Brera Altarpiece), ca.
Figure 16-43 PIERO DELLA FRANCESCA, Flagellation of Christ, ca. 1455-1465. Oil and tempera on wood, 1’ 11 1/8” X 2’ 8 ¼”.
Figure 16-41 LUCA SIGNORELLI, Damned Cast into Hell, San Brizio Chapel, Orvieto Cathedral, Orvieto, Italy, 1499–1504. Fresco,
53.75M
Категория: ИсторияИстория

Trinity College Art History 102

1. Trinity College Art History 102

Chapter 16
Italy, 1400 to 1500
1

2. Renaissance Florence

2

3.


Florence, Baptistery of San Giovanni, 1059-1150

4.


Baptistery North Doors 1400-24

5. Figure 16-2 FILIPPO BRUNELLESCHI, Sacrifice of Isaac, competition panel for east doors, baptistery, Florence, Italy, 1401–1402.

Figure 16-2 FILIPPO
BRUNELLESCHI, Sacrifice of Isaac,
competition panel for east doors,
baptistery, Florence, Italy, 1401–
1402. Gilded bronze, 1’ 9” x 1’ 5”.
Museo Nazionale del Bargello,
Florence.
5

6.

7. Figure 16-3 LORENZO GHIBERTI, Sacrifice of Isaac, competition panel for east doors, baptistery, Florence, Italy, 1401–1402.

Figure 16-3 LORENZO
GHIBERTI, Sacrifice of Isaac,
competition panel for east doors,
baptistery, Florence, Italy, 1401–
1402. Gilded bronze relief, 1’ 9” x
1’ 5”. Museo Nazionale del
Bargello, Florence.
7

8.

9.

9

10.

10

11.


Orsanmichele, Florence 1336-1404

12. Figure 16-5 DONATELLO, Saint Mark, Or San Michele, Florence, Italy, 1411–1413. Marble, 7’ 9” high. Modern copy in exterior

niche.
Original sculpture in museum on second floor of Or San Michele,
Florence.
12

13.


Donatello St. Mark, Orsanmichele, 141113

14. Polykleitos, Doryphoros (Spear-bearer), c. 450-440 BC

15.

15

16.


Nike Fastening her Sandal, Temple of
Athena Nike, c. 410 BC

17.

17

18.


Donatello St. Mark, detail

19.


Doryphoros, detail

20.

20

21.


Nanni di Banco, Quattro Santi Coronati,
Orsanmichele, 1408-14

22.

23. Figure 16-10 LORENZO GHIBERTI, east doors (Gates of Paradise), baptistery, Florence, Italy, 1425–1452. Gilded bronze, 17’ high.

Modern copy, ca. 1980. Original panels in
Museo dell’Opera del Duomo, Florence.
23

24.


Ghiberti, East Doors,
Story of Isaac and his
Sons, 1425-52

25. Figure 16-8 DONATELLO, Feast of Herod, panel on the baptismal font of Siena Cathedral, Siena, Italy, 1423–1427. Gilded bronze ,

1’ 11 1/2 ” x 1’ 11 1/2”.
25

26.


Masaccio, Brancacci chapel, left wall

27.


Masaccio, Brancacci chapel, right wall

28.


Masolino, Temptation of Adam and
Eve

29.

30. Figure 16-19 MASACCIO, Expulsion of Adam and Eve from Eden, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca.

1424–1427. Fresco, 7’ x 2’
11”.
30

31.

32.

32

33.

33

34. Figure 16-18 MASACCIO, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427. Fresco, 8’ 4 1/8” x

19’ 7 1/8”.
34

35.

36.

37.

38. Figure 16-18 MASACCIO, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427. Fresco, 8’ 4 1/8” x

19’ 7 1/8”.
38

39.


Masolino, St. Peter Healing a Lame Man, Brancacci chapel

40.

40

41.

42. Figure 16-20 MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8” x 10’ 4 3/4”.

42

43.


Nardo di Cione, Trinity with
Saints, 1365

44.

44

45.


Florence, panorama with the Duomo

46.


Pantheon, Rome, c. 118-29

47.


Pantheon, interior, by
Giovanni Paolo Pannini, 1747

48. Figure 16-30 FILIPPO BRUNELLLESCHI, cutaway view of the dome of Florence Cathedral, Florence, Italy, 1420-1436 ( after Piero

Sanpaolesi).
48

49.


Santo Spirito, Florence, facade

50. Figure 16-32 FILIPPO BRUNELLESCHI, early plan (left) and plan as constructed (right) of Santo Spirito, Florence, Italy,

designed 1434–1436; begun 1446.
50

51. Figure 16-31 FILIPPO BRUNELLESCHI, interior of Santo Spirito (looking northeast), Florence, Italy, designed 1434–1436; begun

Figure 16-31 FILIPPO BRUNELLESCHI, interior of Santo Spirito (looking northeast), Florence, Italy, designed 1434–
1436; begun ca. 1436.
51

52. Figure 16-33 FILIPPO BRUNELLESCHI, facade of the Pazzi Chapel, Santa Croce, Florence, Italy, begun ca. 1440.

52

53. Figure 16-34 FILIPPO BRUNELLESCHI, plan of the Pazzi Chapel, Santa Croce, Florence, Italy designed ca. 1423, begun 1442.

53

54. Figure 16-35 FILIPPO BRUNELLESCHI, interior of the Pazzi Chapel (looking northeast), Santa Croce, Florence, Italy, designed

ca.1423,
begun 1442, with glazed terracotta roundels by
Luca della Robbia.
54

55. Figure 16-39 LEON BATTISTA ALBERTI, west facade of Santa Maria Novella, Florence, Italy, ca. 1456–1470.

55

56.

57. Figure 16-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

57

58. Figure 5-14 Elevations of the Doric and Ionic orders.

Compare Doric and Ionic Orders
Figure 5-14 Elevations of the Doric and Ionic orders.
58

59. Figure 7-6 Roman concrete construction. (a) barrel vault, (b) groin vault, (c) fenestrated sequence of groin vaults, (d)

hemispherical dome with oculus (John Burge).
59

60. Colosseum, Rome, c. 70-80

61.


Pantheon, Rome, c. 118-29

62.


Rome, Arch of Constantine, c. 315

63. Figure 16-45 LEON BATTISTA ALBERTI, plan of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

63

64. Figure 16-46 LEON BATTISTA ALBERTI, interior of Sant’Andrea (looking northeast), Mantua, Italy, designed 1470, begun 1472.

64

65.


Masolino, St. Peter Healing a Lame Man, Brancacci chapel

66. Figure 16-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

Figure 16-36 MICHELOZZO DI
BARTOLOMMEO, facade of the Palazzo MediciRiccardi, Florence, Italy, begun 1445.
66

67. Figure 16-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

67

68. Figure 16-38 LEON BATTISTA ALBERTI BERNARDO ROSSELLINO, Palazzo Rucellai, Florence, Italy, ca. 1452–1470.

68

69. Colosseum, Rome, c. 70-80

70. Figure 16-17 GENTILE DA FABRIANO, Adoration of the Magi, altarpiece from Strozzi Chapel, Santa Trinità, Florence, Italy, 1423.

Tempera on wood, approx. 9’
11” x 9’ 3”. Galleria degli
Uffizi, Florence.
70

71.

72.

73.

74. Figure 16-21 FRA ANGELICO, Annunciation, San Marco, Florence, Italy, ca. 1438–1447. Fresco, 7’ 1” x 10’ 6”.

74

75. Figure 16-28 SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli Uffizi,

Florence.
75

76. Figure 16-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza

Collection, Madrid.
76

77. Figure 16-24 DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485–1490.

Fresco, 24’ 4” x 14’ 9”.
77

78. Figure 16-14 ANTONIO DEL POLLAIUOLO, Hercules and Antaeus, ca. 1470–1475. Bronze, 1' 6” high with base. Museo Nazionale del

Bargello, Florence.
78

79.

79

80.

80

81. Figure 16-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. Museo Nazionale del Bargello, Florence.

First free-standing nude statue since
antiquity. Notice the contrapposto
Nudity used to portray a Biblical hero
rather than as an allegory for
sinfulness (Medieval mentality).
Figure 16-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high.
Museo Nazionale del Bargello, Florence.
81

82. Figure 16-13 ANDREA DEL VERROCCHIO, David, ca. 1465–1470. Bronze, 4’ 1 1/2” high. Museo Nazionale del Bargello, Florence.

Figure 16-13 ANDREA DEL VERROCCHIO, David, ca. 1465–
1470. Bronze, 4’ 1 1/2” high. Museo Nazionale del Bargello,
Florence.
82

83. Pollaiullo – Interest in Human Anatomy

• Hercules and Antaeus – study of the musculature of struggling
human form
• Battle of the Ten Nudes – one of earliest known engravings, ecorche –
muscles look so defined that it looks as if they lack skin
83

84. Figure 16-29 ANTONIO DEL POLLAIUOLO, Battle of the Ten Nudes, ca. 1465. Engraving. 1 3 1/8” x 1’ 11 1/4”. Metropolitan Museum

of Art, New York (bequest of Joseph Pulitzer, 1917).
84

85. Rise of Portraiture

• Understand the social, religious, and political influences of
15th-century Italian art
• Discuss the various roles of commemorative portraits
• Identify various artists of the period and their stylistic
accomplishments
85

86. Figure 16-15 DONATELLO, Gattamelata (equestrian statue of Erasmo da Narni), Piazza del Santo, Padua, Italy, ca. 1445–1450.

Bronze, 12’ 2” high.
86

87. Figure 16-16 ANDREA DEL VERROCCHIO, Bartolommeo Colleoni (equestrian statue), Campo dei Santi Giovanni e Paolo, Venice, Italy,

ca. 1481–
1496. Bronze, 13’ high.
87

88. Figure 16-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza

Collection, Madrid.
88

89. Figure 16-24 DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485–1490.

Fresco, 24’ 4” x 14’ 9”.
89

90. Figure 16-38 LEON BATTISTA ALBERTI BERNARDO ROSSELLINO, Palazzo Rucellai, Florence, Italy, ca. 1452–1470.

90

91. Figure 16-39 LEON BATTISTA ALBERTI, west facade of Santa Maria Novella, Florence, Italy, ca. 1456–1470.

91

92. Figure 16-21 FRA ANGELICO, Annunciation, San Marco, Florence, Italy, ca. 1438–1447. Fresco, 7’ 1” x 10’ 6”.

92

93. Figure 16-22 ANDREA DEL CASTAGNO, Last Supper, the refectory, convent of Sant’Apollonia, Florence, Italy, 1447. Fresco, 15’ 5”

x 32’.
93

94. Figure 16-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Galleria degli

Uffizi, Florence.
94

95. Figure 16-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy,

1481–
1483. Fresco, 11’ 5 1/2” x 18’ 8 1/2”.
95

96. Figure 16-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

96

97. Figure 16-45 LEON BATTISTA ALBERTI, plan of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

97

98. Figure 16-47 ANDREA MANTEGNA, interior of the Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco.

98

99. Figure 16-48 ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco, 8’ 9” in

diameter.
99

100. Figure 16-49 ANDREA MANTEGNA, Foreshortened Christ, ca. 1500. Tempera on canvas, 2’ 2 3/4” x 2’ 7 7/8”. Pinacoteca di Brera,

Milan.
100

101. Figure 16-42 PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico da Montefeltro (Brera Altarpiece), ca.

1472–1474. Oil on
wood, 8’ 2” x 5’ 7”. Pinacoteca di Brera, Milan.
101

102. Figure 16-43 PIERO DELLA FRANCESCA, Flagellation of Christ, ca. 1455-1465. Oil and tempera on wood, 1’ 11 1/8” X 2’ 8 ¼”.

Galleria Nazionale delle Marche, Urbino.
102

103. Figure 16-41 LUCA SIGNORELLI, Damned Cast into Hell, San Brizio Chapel, Orvieto Cathedral, Orvieto, Italy, 1499–1504. Fresco,

Figure 16-41 LUCA SIGNORELLI, Damned Cast into Hell, San Brizio Chapel, Orvieto Cathedral, Orvieto, Italy, 1499–
1504. Fresco, 23’ wide.
103
English     Русский Правила